Sunken Fountain by Horst Hoheisel 


The sunken fountain is not the memorial at all. It is only history turned into a pedestal, an invitation to passers-by who stand upon it to search for the memorial in their own heads. For only there is the memorial to be found.                                                   Horst Hoheisel

The Sunken Fountain in Kassel, Germany is one of the examples of counter memorials. Counter Memorials are Structures that defy the concept of the memorial, these project aim at returning the memory back to the user, instead of relying on an object/structure to bring forward the memory, the people have to look for the memory within themselves.

 

Original Fountain 1930's

The Original Fountain was a gift from a Jewish Businessman to the city of Kassel in 1908. In 1939 the Nazis destroyed it and by the 80’s on one could actually remember what had happened to the fountain. This project came as a response to the town’s  local amnesia.

Hoheisel proposed creating a hollow concrete replica of the fountain, he displayed next to the original site for a short period and then buried it upside down. To him the fountain could never be constructed  as it was originally. The inverted fountain was then covered by glass and grate ; the only thing the passerby would see is the hollowness of the fountain, as a metaphor for the feeling of emptiness and disquiet one would feel when thinking about what had happened to the Jews in Germany. The sound of the falling water  isolated from the outside world and the only thing you can focus on is that hidden fountain underneath.

Horst Hoheisel left open the option that the fountain might some day be dug up and placed in its original orientation again above ground. That could only happen, he felt, after the German people had achieved a new understanding about the meaning of the Holocaust.

Replica of the Fountain

Burying the fountain upside down

The Fountain today

JR Photo-Graffiti


JR as he would like to be known is a Parisian Photographer who found his camera in Paris Subway and from there decided to make the world  his gallery. He exhibits his colossal Prints of human faces on buildings, buses, monuments. Each work has a statement, a message that would contribute as a step to turn the world around, or rather inside out.

“I wish for you to stand up for what you care about by participating in a global art project, and together we’ll turn the world…INSIDE OUT.”   JR

His identity, for security reasons, is unknown. Another Banksy that proved  through graffiti we can send large messages that all people can see and read. Today he is a winner of the TED Prize 2011, and his work proves to be worthy of the award.

One of his famous projects is “Women Are Heroes”  2008 a project underlining the dignity of women who are the target of conflict. Several Monumental Photo of women were plastered on houses and buildings in Africa, Brazil, India & Cambodia.

Another interesting Project is “Face 2 Face” 2007. In this project JR posted HUGE portraits of both Israelis & Palestinians face to face  in eight Palestinian and Israeli cities, and on both sides of the security fence/separation barrier.

As he remains anonymous and doesn’t explain his huge full frame portraits of people making faces, JR leaves the space empty for an encounter between the subject/protagonist and the passer-by/interpreter.

This is what JR is working on. Raising questions...

 

Ai Weiwei: Can Art Alter Society ?


“If you don’t Speak your mind, then who are you”    Ai weiwei

Ai Weiwei is a chinese artist known for his continuous criticism and provocation of the chinese government. He was detained yesterday and most of his work was confiscated. He had several clashes with the government if not personally at least on the world-wide web. His blog was always under watch and continually firewalled. You might remember his Tate Modern’s Sun flower installation where he covered the whole ground with hand crafted porcelain sun flower seeds. Each Seed was individually painted  by the town that once made porcelain for the imperial court. Whats absurd about the story is that the town was saved  from bankruptcy by making those seeds. The purpose of the installation was to explore the “made in china” phenomenon and the mass production exports coming out from china. Each seed represents a work of art, represents a person’s source of living and yet the whole picture blurs this fact as it does in the real life exports from china. We fail to see the hands behind all those mass productions. The work also questions the place of art in the chinese society; how a town that was once famous for its porcelain works ended up  making thousands of seeds if not millions to save itself from poverty. The effects of the world trade on the chinese culture.

Photo Courtesy of the Tate Modern Museum

Also another interesting project was the “Study in Perspective” series from 1995 to 2003 where he captured his middle finger in front of political buildings in Beijing, Berlin, Paris, Washington DC and Hong Kong.

Photo Courtesy of Ai Weiwei

“Map of China” 2003 is another controversial work where he assembled a 50 cm tall extrusion of the map of china from the salvaged wood of the demolished Qing dynasty temples. The “map” was assembled without one single nail through a traditional method of jointing.

An interseting Documentray made by Alison Klayman: http://www.pbs.org/wgbh/pages/frontline/ai-wei-wei/ai-weiwei-story/

Where Children Sleep by James Morrison


James Morrison created several windows into different children’s bedroom in his book “Where Children Sleep”. The Difference between the rooms is striking, each tells a story of its occupant and reflects the economical status of the family and the country. An interesting and eye-opening project, that shows the lavishness and poverty kids live in. A lot can be told about the story of each kid when looking at their rooms.

Lamine (above), 12, lives in Senegal. He is a pupil at the village Koranic school, where no girls are allowed. He shares a room with several other boys. The beds are basic, some supported by bricks for legs. At six every morning, the boys begin work on the school farm where they learn how to dig, harvest maize, and plow the fields using donkeys. In the afternoon, they study the Koran. In his free time, Lamine likes to play football with his friends.

 Tzvika, nine, lives in an apartment block in Beitar Illit, an Israeli settlement in the West Bank. It is a gated community of 36,000 Haredi (Orthodox) Jews. Televisions and newspapers are banned from the settlement. The average family has nine children, but Tzvika has only one sister and two brothers, with whom he shares his room. He is taken by car to school, a two-minute drive. Sport is banned from the curriculum. Tzvika goes to the library every day and enjoys reading the holy scriptures. He also likes to play religious games on his computer. He wants to become a rabbi, and his favorite food is schnitzel and chips.

 Jamie, nine, lives with his parents and younger twin brother and sister in a penthouse on 5th Avenue, New York. Jamie goes to a prestigious school and is a good student. In his spare time, he takes judo and goes swimming. He loves to study finance. When he grows up, he wants to become a lawyer like his father.

 Indira, seven, lives with her parents, brother, and sister near Kathmandu in Nepal. Her house has only one room, with one bed, and one mattress. At bedtime, the children share the mattress on the floor. Indira has worked at the local granite quarry since she was three. The family is very poor so everyone has to work. There are 150 other children working at the quarry. Indira works six hours a day and then helps her mother with household chores. She also attends school, a 30-minute walk away. Her favorite food is noodles. She would like to be a dancer when she grows up.

 Kaya, four, lives with her parents in a small apartment in Tokyo, Japan. Her bedroom is lined from floor to ceiling with clothes and dolls. Kaya’s mother makes all her dresses – Kaya has 30 dresses and coats, 30 pairs of shoes, and numerous wigs. When she goes to school, she has to wear a school uniform. Her favorite foods are meat, potatoes, strawberries, and peaches. She wants to be a cartoonist when she grows up.

 Douha, 10, lives with her parents and 11 siblings in a Palestinian refugee camp in Hebron, in the West Bank. She shares a room with her five sisters. Douha attends a school, a 10-minute walk away, and wants to be a paediatrician. Her brother, Mohammed, killed himself and 23 civilians in a suicide attack against the Israelis in 1996. Afterwards, the Israeli military destroyed the family home. Douha has a poster of Mohammed on her wall.

 Dong, nine, lives in Yunnan province in south-west China with his parents, sister, and grandfather. He shares a room with his sister and parents. The family own just enough land to grow their own rice and sugarcane. Dong’s school is a 20-minute walk away. He enjoys writing and singing. Most evenings, he spends one hour doing his homework and one hour watching television. When he is older, Dong would like to be a policeman.

Home for this boy and his family is a mattress in a field on the outskirts of Rome, Italy. The family came from Romania by bus, after begging for money to pay for their tickets. When they arrived in Rome, they camped on private land, but the police threw them off. They have no identity papers, so they cannot obtain legal work. The boy’s parents clean car windscreen at traffic lights. No one from his family has ever been to school.

 

 Roathy, eight, lives on the outskirts of Phnom Penh, Cambodia. His home sits on a huge rubbish dump. Roathy’s mattress is made from old tires. Five thousand people live and work here. At six every morning, Roathy and hundreds of other children are given a shower at a local charity center before they start work, scavenging for cans and plastic bottles, which are sold to a recycling company. Breakfast is often the only meal of the day.

 Nantio, 15, is a member of the Rendille tribe in northern Kenya. She has two brothers and two sisters. Her home is a tent-like dome made from cattle hide and plastic, with little room to stand. There is a fire in the middle, around which the family sleeps. Nantio’s chores include looking after goats, chopping firewood, and fetching water. She went to the village school for a few years but decided not to continue. Nantio is hoping a moran (warrior) will select her for marriage. She has a boyfriend now, but it is not unusual for a Rendille woman to have several boyfriends before marriage. First, she will have to undergo circumcision, as is the custom.

 

Photographs & Text from “Where Children Sleep” by James Morrison.

Guangzhou Opera House by Zaha Hadid


Once again Zaha Hadid has succeeded in dazzling us. I am not going to analyze the technicalities and functionalities of the project , so if you are looking for that, do not continue reading. I do not care about the plans or the sections. I am interested in how we perceive and live the spaces she has created. The project does not resemble in any way the opera houses we grew to know. Zaha Hadid continued on the path of Sydney Opera House but  then exceeded and left it behind. The structure is an alien, it is from outer space. The spaces flow and morph to create one large volume. The contrast is apparent between the criss-crossing skin and the continuous ground-wall-ceiling. Both negate each other yet at certain instances we see some kind of chemistry between them. One gets the sensation of being caged in a maze of black and white planes. Although the space seem complex and we can’t even try to comprehend or understand the architecture, yet there is some kind of power that is transferred to us from the walls and grounds of the building. Just being there you feel you are the GOD [probably the God of Music].  This is further assured when you enter the auditorium space. Gold! In there you are the King of the space. All the constellations are above you, watching over you. The space flows and morphs around you to lead your vision into the stage where a powerful performance awaits you.

Photographs by Dan Chung for the Guardian